Witch Halloween Makeup - Preparing the Prosthetics
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How to Create Witch Halloween Makeup
Witch Halloween Makeup - Preparing the Prosthetics
Witch Halloween Makeup - Coloring the Prosthetics
Witch Halloween Makeup - Applying the Prosthetics Part 1
Witch Halloween Makeup - Applying the Prosthetics Part 2
Witch Halloween Makeup - Foundation Makeup
Witch Halloween Makeup - Highlights & Shadows
Witch Halloween Makeup - Highlights & Shadows Part 2
Witch Halloween Makeup - Highlights & Shadows Part 3
Witch Halloween Makeup - Highlights & Shadows Part 4
Witch Halloween Makeup - Setting the Makeup
Witch Halloween Makeup - Choosing the Costume
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Roger Bennett Riggle has been a licensed, professional make up artist for over 20 years. He began at Kinetic Artistry, a theatrical supply house in Takoma Park, MD. During his 10 years there, Roger managed the make up department -7 different lines; sales, consultation and artistry.
Roger has hosted numerous Washington, D.C instructional seminars for area artists; everything from beauty and photography make up to Halloween transformations and special effects make up techniques. Roger worked for over 10 years as the make up artist for Tom Radcliffe, a leader in headshot photography at the Point of View Studio also in Takoma Park, MD. Roger applied the photographic make up to thousands of actors, sports celebrities, musicians and opera singers.
Roger specializes in Halloween make-overs and the transforming of personalities for diverse, special events. In addition, Roger has created special make up effects for disaster simulation used in the training of nurses, doctors and EMS personnel. His credits include triage exercises at the Baltimore/Washington International Airport, for the Secret Service, and for the UHUHS military training facility. Roger has also designed for numerous theatrical productions which entails researching and articulating the authenticity of period styles.
Roger has a degree in drama from the Catholic University of America, Washington, D.C. and, since 1978, has choreographed, directed and produced numerous operas and musical theatre productions. For eight years, Roger was the Associate Producer of TheatreFest, theatre-in-residence program, at Montclair State University, Montclair, N.J. Roger has worked with many celebrities including: Leslie Uggams, Susan Lucci, Debbie Reynolds, Kim Zimmer, Pattie LuPone and Betty Buckley. Roger has directed operas at the annual Amalfi Music Festival in Italy . He is a member of the Society of Stage Directors and Choreographers. Roger is the make up consultant for Parlights, Inc. in Frederick, MD, a leading theatrical supply house for the greater Washington/Baltimore areas.
Witch Halloween Makeup - Preparing the Prosthetics
Professional makeup artist Roger Riggle shows how to create witch makeup for Halloween including preparing the latex prosthetics.
Transcripts
Roger Bennett Riggle: Hello! My name is Roger Bennett Riggle and today we are doing a witch transformation for Halloween. In the process, the first thing we need to do is to treat the latex prosthetics. What happens with latex and a foundation cream color is that the latex and the foundation color have a slight chemical reaction and the reaction causes the color to be slightly different than the foundation put on natural human skin. So what we want to do is to seal these prosthetics first so that we dont get any change in color of the foundation. So I have taken the castor sealer and I put it here on my little palette, you can also use a Formica surface like a countertop or a Formica table. It wont hurt Formica at all, you can wipe it away. We are going to take our non-latex sponge and you dont need a whole lot of product at all, just a little because it goes a long way. Just dip the sponge in there and you can see that I am going to basically tap the sealer onto the prosthetic.
Now these are latex prosthetics therefore, latex prosthetics are normally hollow. So that if you go ahead and put this on your face and you are going to seal it and color it, its going to collapse on you and you are going to be mad at yourself. So you want to be able to stick your fingers up in the hollow part of the prosthetic so that you have some kind of base upon which to put your sealer on. And then I usually take a paper towel or cotton ball and I gently press on the prosthetics or you can hold the insides of them and you want to remove the excess castor sealer. And here you have and you can see a slight change of coloring, here you have the prosthetics that are sealed and treated with the castor sealer.
Coming up next, we will show you how to color the prosthetics.
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