Witch Halloween Makeup - Highlights & Shadows Part 4
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How to Create Witch Halloween Makeup
Witch Halloween Makeup - Preparing the Prosthetics
Witch Halloween Makeup - Coloring the Prosthetics
Witch Halloween Makeup - Applying the Prosthetics Part 1
Witch Halloween Makeup - Applying the Prosthetics Part 2
Witch Halloween Makeup - Foundation Makeup
Witch Halloween Makeup - Highlights & Shadows
Witch Halloween Makeup - Highlights & Shadows Part 2
Witch Halloween Makeup - Highlights & Shadows Part 3
Witch Halloween Makeup - Highlights & Shadows Part 4
Witch Halloween Makeup - Setting the Makeup
Witch Halloween Makeup - Choosing the Costume
How to Use Makeup to Create a Tiger Face
Costume Makeup - How to Create a Bruise and Wound
How to Apply Heath Ledger Joker Makeup
Costume Makeup - How to Create a Werewolf
How to Apply an Airbrushed Makeup
Advanced Tap Dancing
Advanced Jazz Dancing
How to Create Witch Halloween Makeup
How to Create Vampire Halloween Makeup
Tricks To Avoid Sweet Treats
Haunted Gingerbread House
Edible Candy Bowl Centerpiece
Trick or Treat Candy Cups
Halloween Wrapped HERSHEY'S Milk Chocolate Bars
Pumpkin Treat Bag
To Die For Outdoor Halloween Decor
Costume-Ready Body Tips for Halloween
Sweet Severed Finger Cookies
Yummy in The Tummy Mummy Cookies
Preserving and Lighting The Perfect Pumpkin
Carve The Perfect Pumpkin
Roger Bennett Riggle has been a licensed, professional make up artist for over 20 years. He began at Kinetic Artistry, a theatrical supply house in Takoma Park, MD. During his 10 years there, Roger managed the make up department -7 different lines; sales, consultation and artistry.
Roger has hosted numerous Washington, D.C instructional seminars for area artists; everything from beauty and photography make up to Halloween transformations and special effects make up techniques. Roger worked for over 10 years as the make up artist for Tom Radcliffe, a leader in headshot photography at the Point of View Studio also in Takoma Park, MD. Roger applied the photographic make up to thousands of actors, sports celebrities, musicians and opera singers.
Roger specializes in Halloween make-overs and the transforming of personalities for diverse, special events. In addition, Roger has created special make up effects for disaster simulation used in the training of nurses, doctors and EMS personnel. His credits include triage exercises at the Baltimore/Washington International Airport, for the Secret Service, and for the UHUHS military training facility. Roger has also designed for numerous theatrical productions which entails researching and articulating the authenticity of period styles.
Roger has a degree in drama from the Catholic University of America, Washington, D.C. and, since 1978, has choreographed, directed and produced numerous operas and musical theatre productions. For eight years, Roger was the Associate Producer of TheatreFest, theatre-in-residence program, at Montclair State University, Montclair, N.J. Roger has worked with many celebrities including: Leslie Uggams, Susan Lucci, Debbie Reynolds, Kim Zimmer, Pattie LuPone and Betty Buckley. Roger has directed operas at the annual Amalfi Music Festival in Italy . He is a member of the Society of Stage Directors and Choreographers. Roger is the make up consultant for Parlights, Inc. in Frederick, MD, a leading theatrical supply house for the greater Washington/Baltimore areas.
Witch Halloween Makeup - Highlights & Shadows Part 4
Professional makeup artist Roger Riggle shows how to create witch makeup for Halloween including the fourth part of adding highlights and shadows.
Transcripts
Roger Bennett Riggle: My name is Roger Bennett Riggle and today we are doing the witch transformation and now we will finish the highlights. Continuing with our highlights and shadows, once I get the colors on that I kind of feel and look good. I like to enhance them sometimes, in another words I like to make the shadows a little darker in some places and I like to make the highlights a little lighter. So at this point I am choosing to go with some black and some white. Now black is one of your most important colors because black outlines your work. So when you think about things that you really want to pop out at you, you use black.
And so I am going to think about black as heavy mean eyebrows. So lets say this ridge in here is very dark and then I am going to bring her eyebrow up and change the line of it a little bit and then I am going to make it unkept and bushy. So I can put flares in that eyebrow; look up for me. And then I am going to accentuate that by lining under her eye as well, okay. Then I am going to put just a little black in the deepest ridge of that nose, I am going to put a little black in the deepest ridge of that shadow underneath the cheek. I am going to put a little black in the temple and maybe I add just a little black to push this into the prosthetic a little bit. Anywhere you want to deepen your work a little bit, you can add a darker color. This makes the wrinkles and certain spots look much deeper, you add a little to the center of the forehead. I got my paper towel; I am going to wipe all of it off my brush. But I still have black on there and I will just blend a little bit of that darkness into the forest green that I have used prior. See how it makes this look more realistic and it blends your colors even more. See how this black and the forest green create yet another color, okay. And you can use your brush to blend or you can always take your finger and give it a tap and blend what you are doing. Again, I have a clean brush while I am working, so I am not putting any more color on I am just blending what I have already got on there. I am going to really alter her eye shape with the eyebrow. At this point I am going to do the other side just like that. Okay, we finished the highlights and the shadows on both sides of the face and now what I want to do is add some blood-red to her lips. So this is going to accentuate yet another color to the face. It is going to bring a scary menacing look to the witch. I can still see some of the wrinkles through the highlight and I want to turn them down on the edges. So that, that mouth looks not quite human, a little bit unnatural. You can see where the red really pops that face, okay. So now we have completed adding all of the colors to the make-up design and now I am going to show you how to set that make-up so it will last you all night.
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