Tonguing on the Saxophone

To properly view this site, javascript must be enabled and Flash version 9 or higher must be installed.
Get the latest Flash player
  • Selecting Reeds for the Clarinet

    In this video, professional clarinetist and pedagogue Ariana Lamon-Anderson from the International School of Music describes the techniques needed to get started playing clarinet.

  • How to Play Clarinet for Beginners - Clarinet Parts

    In this video, professional clarinetist and pedagogue Ariana Lamon-Anderson from the International School of Music describes the techniques needed to get started playing clarinet.

  • Taking Care of the Clarinet

    In this video, professional clarinetist and pedagogue Ariana Lamon-Anderson from the International School of Music describes the techniques needed to get started playing clarinet.

  • Playing Notes and Tonguing on the Clarinet

    In this video, professional clarinetist and pedagogue Ariana Lamon-Anderson from the International School of Music describes the techniques needed to get started playing clarinet.

  • Clarinet Basics - Breathing, Holding and Playing

    In this video, professional clarinetist and pedagogue Ariana Lamon-Anderson from the International School of Music describes the techniques needed to get started playing clarinet.

  • Trumpet Teacher, Writer, Music Educator, PhD student

    Currently a PhD student of music education at Northwestern University, I'm a teacher, writer, and musician, and the author of 3 books (Basic Music Theory: How to Read, Write and Understand Written Music; Sound the Trumpet: How to Blow Your Own Horn; and All About Trumpet).

  • Do you know how to read the instrument panel?

  • The Harp

    Cynthia Cathcart introduces newcomers to the wire-strung harp, or clarsach (also sometimes called the early Gaelic harp).

  • Care and Maintenance of the Cello Bow

  • Caring for the Violin

    In this video, professional violinist and pedagogue Slavica Ilic from the International School of Music describes the techniques needed to get started playing violin.

Seth Kibel
The Alexandria Kleztet
www.sethkibel.com  
410-602-8212

Seth Kibel is one of the Mid-Atlantic region's premier saxophonists. His latest release, on Azalea City Recordings, is "The Great Pretender." On his first solo album, The Great Pretender, tenor saxophonist Seth Kibel brings his raucous, blues-drenched sound to 10 songs with support from some of the most skilled artists in the Mid-Atlantic and beyond. Adding their talents to two of Seth’s original tunes and eight of his creative arrangements are European blues star Eugene “Hideaway” Bridges, boogie-woogie pianist Daryl Davis, blues diva Melanie Mason, D.C. guitar legend Dave Chappell, jazz pianist Sean Lane, rocker Billy Coulter, dobro-ist Dave Giegerich, bassist Sam Goodall, and drummers Mark Lucas and Joe Wells. The covers include dramatic re-interpretations of songs by Bob Dylan, Tom Waits, Duke Ellington and The Kinks. '

The album’s blues and roots rock sounds represent a new approach for the versatile performer and composer, known for his jazz and klezmer music and his leadership of the award-winning “alternative klezmer” band The Alexandria Kleztet. Seth has won 11 Washington Area Music Association Awards (Wammies) including Best Jazz Instrumentalist and Best World Music Instrumentalist.

Seth began his career as a full-time professional musician in 1996, when he moved to the Washington/Baltimore area following his graduation from Cornell University with a double major in Music and American Studies. Since that time, he has been in demand as a sideman and as a bandleader performing in such diverse genres as jazz, rock, blues, swing, klezmer, dixieland, and classical music.

Seth began his professional klezmer career in 1993 with Cayuga Klezmer Revival, upstate New York’s premier klezmer band. Their CD, Klezmology, is still sold nationally. Seth is currently the leader, clarinetist, and composer for The Alexandria Kleztet, an “alternative” klezmer band he founded in the Baltimore/Washington area. The band’s three albums, Y2Klezmer (1999), Delusions of Klezmer (2002), and Close Enough for Klezmer (2005) are all available internationally. All three albums received the Washington Area Music Association’s (WAMA) award for Best World Music Recording following their release. The Alexandria Kleztet was named "Best World Music Duo or Group" by WAMA for 2003, 2004, and 2006. Seth also received individual awards for "Best World Music Instrumentalist" in 2003, 2004, 2005, and 2006, and was named "Best Jazz Instrumentalist" for 2005.

In addition to his activities with the Kleztet, Seth has fronted a variety of swing and jazz groups, including Corner Pocket, Air Mail Special, The Bay Jazz Project, and Seth Kibel’s Dixieland All-Stars. In 2002, he was commissioned to write, perform, and record an original score for Dreams in the Golden Country, an original theatrical production at the Kennedy Center in Washington, DC. In January 2004, he released his first jazz CD, a joint album with violinist Susan Jones entitled Nuts and Bolts. And in late 2004, he produced A Chanukah Feast, an album for the DC-based charity Hungry for Music featuring both regional and national artists. In 2005, he was the recipient of an "ASCAPlus" grant, as well as a Silver Prize (2nd place) winner in the Mid-Atlantic Song Contest, in the "jazz/blues/instrumental" division. In summer 2007, he released The Great Pretender, his first solo record for Azalea City Recordings. On the album, Seth brings his raucous, blues-drenched sound to 10 songs with support from some of the most skilled artists in the Mid-Atlantic and beyond. Seth has performed with such notables as Sam Moore (Sam & Dave), Percy Sledge, The Coasters, and Johnnie Johnson. Additionally, he has appeared with many notable groups in the Baltimore/Washington area, including The Daryl Davis Band, Project Natale, Christian Josi, The Tom Cunningham Orchestra, The VanDangos, and The Hot Kugel Klezmer Band, just to name a few. He has performed at the Kennedy Center, the Carter Barron Amphitheatre, the Lowell Folk Festival in Lowell, Massachusetts, as well as on several European tours.

Seth can be heard on recent CD releases by the Skyla Burrell Blues Band, the Swing States Road Show, folksinger John Simon, The Civil Air Patrol Band, American Song, The Hot Kugel Klezmer Band, guitarist David Kitchen, boogie-woogie pianist Daryl Davis, blues guitarist Eugene “Hideaway” Bridges, jazz vocalist Esther Haynes, and flamenco guitarist Gerard Moreno. Since 2002, he has been on the faculty of the ElderHostel program at the Peabody Conservatory in Baltimore. He has also lectured extensively on klezmer, jazz, swing, the big band era, and other related musical topics at Peabody, Goucher College, and elsewhere.

Seth's primary instruments are the clarinet, saxophone (alto, tenor, and baritone), and flute. He has, however, been known to make some noise on harmonica, recorder, guitar, piano, and accordion. In his eight years as a professional musician, Seth has performed for numerous private affairs, such as receptions, weddings, and Bar/Bat Mitzvahs, all across the country. Whatever your affair, Seth will work with you to put together the right ensemble. References available upon request.

Tonguing on the Saxophone

 

This series: 91,869 views

Print

Transcripts

Another quick digression, one of the problems we have been having so far with the saxophone and you have probably encountered is the way the notes start. Let me explain; when you play an instrument like the piano or how about the guitar, right here; there is a precise instant the note starts. When I take my pick and play a note on the guitar, you can hear the exact instant that note begins, where you go from silence to musical tone. Now, we have not had that so far with the saxophone because what you have been using is what is commonly called as a breathe attack. You have been starting the note with your air, like this. If we have to put that in musical slow motion you would here a sound like, fwoa, fwoa, fwoa, fwoa. We do not want that. We want to have the same kind of precision you have with the guitar or a piano when the note starts. To do that we use a technique called Tonguing. It is a way of starting the note with your tongue. Now, I want you to something for me and this may seem kind of goofy at first but if no one is around or if you are at the office, just do it quietly. I want you to say the syllable TA; about five or six times TA, TA, TA. Now, tell me, what is your tongue doing to make that sound; to make that syllable? It is pushing off against the back of your top teeth.

Say it again, TA, TA, see, how your tongue is pushing off against the top of your back teeth? Well, that is what you want to do to the reed. Same thing, except instead of pushing against the top teeth, you are pushing against the reed. This is your tongue, here is the reed; TA, TA, TA. With the saxophone; see, how precise that attack is? Hear how you can hear the exact instant that note starts, that is because I am using tonguing to start the note. This can be a little tricky to get the hang of at first but if you think about saying the syllable TA while you are playing, you should be able to get it for too long. Now, you can use a hard tongue or a gentle tongue. As you practice and as you play the saxophone, you will be able to get that level of subtlety in the strength of your tongue. Alright, we will get some more notes momentarily.

Other Videos

  • Learn "Hallelujah (Your Love is Amazing)" on the piano Learn "Hallelujah (Your Love is Amazing)" on the piano
  • How to Play the Recorder This video series will show how to play the recorder.
  • Beginning Violin - Parts of the Violin In this video, professional violinist and pedagogue Slavica Ilic from the International School of Music describes the techniques needed to get started playing violin. The video is designed for the beginning violin player, but includes a variety of tips and technics that would be useful to intermediate players. This video series includes an overview of the basics, how to hold the bow and the violin, how to get the sound on violin, how to get loud and soft sound, how to play certain music examples and much more.
  • Learn "Our Love is Loud" on the piano Learn "Our Love is Loud" on the piano
  • How to Choose an Instrument-Percussion How to Choose an Instrument-Percussion
  • Acoustic Guitar This video series will show how to play the guitar including the acoustic, electric, and bass guitars. Franklin Taggart will give a collection of fingerings for many standard guitar chords that easily describe how to place each finger on the guitar to successfully make each chord. First he will show the parts of an acoustic guitar.