The Drums

The Drums

Striking the Drum

Striking the Drum

The Drums - 10 to 1 Snare Drum Exercise

The Drums - 10 to 1 Snare Drum Exercise

The Drums - Single Stroke Roll

The Drums - Single Stroke Roll

The Drums - Double Stroke Roll Part 1

The Drums - Double Stroke Roll Part 1

The Drums - Double Stroke Roll Part 2

The Drums - Double Stroke Roll Part 2

The Drums - Learning the Parts of the Drum Set

The Drums - Learning the Parts of the Drum Set

The Drums - Setting Up Your Drum Set

The Drums - Setting Up Your Drum Set

The Drums - Feet Technique

The Drums - Feet Technique

The Drums - Feet Exercises

The Drums - Feet Exercises

The Drums - Two Limb Combinations

The Drums - Two Limb Combinations

The Drums - Three Limb Combinations

The Drums - Three Limb Combinations

The Drums - Playing the Two Beat

The Drums - Playing the Two Beat

The Drums - Rock Beat 1

The Drums - Rock Beat 1

The Drums - Rock Beat 2

The Drums - Rock Beat 2

The Drums - Learning Paradiddles

The Drums - Learning Paradiddles

The Drums - Advanced Paradiddles

The Drums - Advanced Paradiddles

The Drums - Three Stroke Patterns

The Drums - Three Stroke Patterns

The Drums - Rhythmic Counting

The Drums - Rhythmic Counting

Drum Fills Part 1

Drum Fills Part 1

Drum Fills Part 2

Drum Fills Part 2

Advanced Drum Fills

Advanced Drum Fills

The Drums

The Drums

The Drums for Intermediates - Different Snare Sounds

The Drums for Intermediates - Different Snare Sounds

The Drums- Taking Off a Drum Head

The Drums- Taking Off a Drum Head

How to Play Songs on the Recorder

How to Play Songs on the Recorder

Recorder Songs - Reading Music

Recorder Songs - Reading Music

Recorder Songs - D Major Scale and Triad

Recorder Songs - D Major Scale and Triad

Recorder Songs - Learn Tue Tue

Recorder Songs - Learn Tue Tue

Recorder Songs - Learn Joe Magarac

Recorder Songs - Learn Joe Magarac

How to Play the Recorder

How to Play the Recorder

Playing the Recorder - Choosing an Instrument

Playing the Recorder - Choosing an Instrument

Playing the Recorder - The Foundation - Breathing, Support, and Posture

Playing the Recorder - The Foundation - Breathing, Support, and Posture

Playing the Recorder - Tone Production

Playing the Recorder - Tone Production

Playing the Recorder - Articulation

Playing the Recorder - Articulation

How to Play the Harmonica

How to Play the Harmonica

How to Play the Recorder

How to Play the Recorder

View more ...

Wes Crawford

www.WesCrawford.com  

(301) 275-4675

Wes began his professional music career after graduating with a B.S. in Psychology at Virginia Tech. Soon thereafter, he began performing drumset with the extraordinary Jazz/R&B singer Jane L. Powell, a musical association that lasted eleven years and continues as a managerial relationship. The group toured throughout North America and the Caribbean performing at festivals, universities, resorts, nightclubs, and cruise ships. They opened for such acts as Ray Charles, Melba Moore, Freddie Jackson, Lou Rawls, The Crusaders, Joan Jett, Ernie Watts, and Paula Poundstone, and occasionally performed alongside artists such as Tony Bennett, O.C. Smith, and Dorothy Moore. The 1,300 colleges and universities comprising the National Association for Campus Activities voted the group Entertainer of the Year in 1990, their highest honor, and Jazz Artist of the Year for 1990-1992. During these years of touring, Wes also recorded two albums with Ms. Powell as well as for several outside artists. Wes also conducted electronic percussion seminars at VA Tech and at the Virginia Governor’s School for the Gifted. In 1992, Wes settled with his family in the Washington, DC area as an independent artist on drumset and percussion where he currently performs and records with acts such as Shahin & Sepehr (Higher Octave/Narada world music recording artists), Cocktail Nuts (aka “C-NUTS”- Jazz versions of rock classics, on Wildchild/Mapleshade Records), mrudangam virtuoso Umayalpuram K. Shivaraman (including a clinic at PASIC 2000 and a featured performance at Baltimore Drum Day 2000), Squeeze Bayou (1998 winners of the “Best Non-Louisiana-Based Cajun Band Recording” awarded by the Cajun French Music Association), and Night Life (high-energy show band). Wes has also regularly performed and/or recorded with Aisha Kahlil (of Sweet Honey in the Rock), Eva Cassidy, Catalyst Events’ “Beatswork!,” Zydeco Crayz, Mary Ann Borelli, “Oh Susannah!”, Sugar Jones, and Armadillo recording artist Daryl Davis. His other noteworthy performances and recordings include those with the David Bach Consort (2nd place winner in the 1998 BET unsigned band video contest), Hennesy Jazz Search regional winner Jerry Gordon, and performances with Milestone recording artist Ron Holloway. Wes considers education to be an important link to the future of the percussive arts and teaches drumset privately and at Goucher College in Baltimore, MD. He also performs in public school assemblies with Mosaic, which provided the musical instruction and curriculum for the 2000 Maryland Artist/Teacher Institute. Wes serves as the Director of the annual Drumset And Percussion Camp of the Goucher Summer Arts Institute and as Vice-President of the MD/DE chapter of the Percussive Arts Society. In 2000, Wes started MusicAndGames4U.com, a site to feature his interactive educational media such as his popular “Drumset Play-Along DVD.” His latest “A Rhythmic Murder Mystery” interactive DVD features a solo electronic drumset concert, which he also performs live. Wes holds Associate Artist relationships with Maryland Drum Company and with Trueline Drumsticks, and he occasionally works as Music Consultant for the not-for-profit Sustainable Environments for Health + Shelter.

The Drums - Double Stroke Roll Part 1

Expert drummer Wes Crawford demonstrates the double stroke roll on a drum set.

This expert: 518,645 views
This series: 362,549 views

Download to Mobile Device

Print

Transcripts

Hi, I am Wes Crawford, and now were going to explore the double stroke roll. Just like its name implies, were going to hit twice with each hand. Now, this is not nearly as intuitive as a single stroke roll, and you probably havent been sitting around your dinner table doing this with your knife and fork, or at your school or office, beating double strokes, but its very, very valuable. A lot of the rolls and marching bands that you hear and drum set solos are using double strokes. Double strokes are difficult to learn, they will take a while. So, this is a step where you will keep practicing, but you can go on to more steps while youre practicing this and getting better and better. Basically were going to do it again as a callisthenic, in other words, slow to fast to slow. If you play slow to fast to slow with the band youre with, youre probably going to get fired. So, its not a real life kind of thing, its something to work your technique and your stamina and your strength all up so that you could then use it musically. The double stroke roll will go right right, left left, right right, left left, all evenly, and we will go slow to fast to slow. This is a demonstration. Its important to be aware of your strokes; straight up and down, using your wrists, and that youre striking in the same place to get the same sound. So, also important with anything in drumming, to make sure youre relaxed throughout your body. One way you might want to test this is try singing a song as you do it. Try singing Yankee Doodle. If youre singing like Yankee Doodle went to town, something like that, youre probably too tense. If youre relaxed when you can do it then youre probably more relaxed throughout your body. Now, the double stroke roll, as you can see, you can go very fast and once you get this down, its much more effortless to continue to play for longer periods then it is with the single stroke roll, so theyre both very important. Theyre the foundations of Western drumming; the single stroke roll and the double stroke roll, and its how we use them that it develops our technique, and will sort of identify what direction we will go, how we want to use things in a lot of our drumming, and will allow you to play so many things.

The Drums - Varying the Bass Drum

The Drums - Varying the Bass Drum

The Drums - Varying the Snare Drum by 8th Notes

The Drums - Varying the Snare Drum by 8th Notes

The Drums - Varying the Snare Drum by 16th Notes

The Drums - Varying the Snare Drum by 16th Notes

The Drums - Varying the Bass Drum by 16th Notes

The Drums - Varying the Bass Drum by 16th Notes

The Drums- Taking Off a Drum Head

The Drums- Taking Off a Drum Head

The Drums - How to Choose a Drum Head

The Drums - How to Choose a Drum Head

The Drums - Placing the New Head on the Drum

The Drums - Placing the New Head on the Drum

The Drums - How to Tune a Snare Drum

The Drums - How to Tune a Snare Drum

The Drums - Adjusting the Snare Drum

The Drums - Adjusting the Snare Drum

Beatbox Bass Drum

Beatbox Bass Drum