Wes Crawford: Hi! I am Wes Crawford, and now we are going to expand upon our Paradiddle concepts a little bit.
Remember, we have four paradiddles. We have the single paradiddle which gives para diddle, para diddleWe have the double paradiddle which would be para para diddle, para para diddle.
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The triple paradiddle, para para para diddle, para para para diddle and the paradiddle diddle is, para diddle diddle, para diddle diddle. We did two of each.
Paras are opposite hands hitting, diddles are the same hand, hitting twice.
Lets try to put our feet together, hitting together like thisAt the beginning of each paradiddle, just always start feeling the four limbs playing together when we do paradiddles. So, well hit the limbs together, the four limbs together on the very first stroke of each paradiddle.
So, we are goingpara diddle para diddle para diddle para diddleWell hit these four limbs and add the feet in that is to the very first stroke.
para diddle para diddleAnd I want to emphasize that these should be practiced on the snare drum as well to sound as even as possible, you dont want one hand sounding louder than the other or any accents right now. It sound like thisNow, lets try the double paradiddle, and again I am going to do my hand on two different sounds so you can hear them better, and we will just play the feet together on the first stroke of the double paradiddles.
Well now try the para-paraparadiddle, which is the triple paradiddle.
Notice with each of these paradiddle types each time the feet hit its with an opposite hand, the first time with the right, the next paradiddle type starts with the left, so the feet will be hitting with that.
So, youll have to get used to changing which hand is hitting with the feet.
With the paradiddle diddle it keeps coming back to the same hand as youll notice.
And again, the value in practicing something like this is that you will be able to use these paradiddles more freely and fills in your own beats.
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