Wes Crawford: Hi! I am Wes Crawford, and now we are going to explore three-stroke patterns.
So far we have learned about the single strokes which you have two hands and thats an even numbered pattern of events. We have the double strokes obviously in even numbered pattern of events. We have all the paradiddles, they each have an even number of strokes in them, so they are all even, but we have neglected odd note groupings. The smallest odd number that you can create a pattern out of is three, so we are going to call this category three-stroke patterns. Since we have been combining single and double strokes, well combine them now into three note patterns.
So, the first one would be one stroke with hand and two with the other. We have right-left-left, right-left-left, right-left-left, right-left-left and so forth.
Then, we want to also do it in a more balanced fashion so we will start with the left and do one left and two rights.
Left-right-right, left-right-right, left-right-right, left-right-rightI am sure you can now see that these little packets of coordination combining singles and doubles could be very handy with a lot of numbers of things, but lets now try to add the feet in on the first stroke.
So, lets do the right-left-left with the feet on the first stroke, and Ill now put my right-hand over on the right cymbal.
Well, just by simply doing that we created an acceptable waltz, a waltz is something in three, its a piece of music in three and we count1 2 3, 1 2 3, 1 2 3 for what its worth, this is simple little exercise all of a sudden created a useful beat.
Lets now put my right-hand back on the tom just so you can hear better and we will go left-right-right with the feet playing together on the first stroke.
Left-right-right, left-right-right, left-right-right, left-right-right, left-right-rightWhen you get very, very comfortable with that, lets try the other permutations or lets change the order that we are doing those three strokes.
Lets think in terms of the singlestroke. With the single left stroke pattern, we were just doingLeft-right-right, left-right-rightBut now lets put it in the middle of that three-stroke pattern, so it goesRight-left-right-right, left-right-rightWell put the feet on the very first stroke of the pattern and you getRight-left-right-right, left-right-rightSo, you can see the value in this, its a whole different character when you change the order of the strokes.
Lets now reverse it and go with the single right-hand stroke in the middle of these three notes, so it will be left-rightleft, left-right-left.
Smoothly, left-right-left, left-right-leftHere we go, feet together on the first strokeLeft-right-left, left-right-left, left-right-left, left-right-leftLets put the single-stroke at the end, so well start with right-right-left, right-right-left.
Well put this feet together on the first stroke, we get.
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Then well do the opposite, left-leftright, put the feet together on the first stroke.
So again, we are building up the coordination for these little kernels or packets of coordination between the hands and the feet.
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